Edit images in photoshop; photoshop is one of the most complete and optimized tools for editing images, providing photographers with all the features at once. in this guide, we will provide you with the essential tips for editing photos in photoshop.
one of the most important stages of photography is the final editing of images, which is no less important than photography itself. by correctly editing the image, you can fix the errors and problems of the photo and even change the mood of the photo. adobe photoshop is one of the most powerful and popular image editing software for photographers. however, the use of this software may be confusing for many novice photographers. in this guide, we will mention some basics of this popular software and then provide some tips for editing the image in photoshop.
you must have heard this sentence a lot by now: this photo has been photoshopped. even non-reactive people use this phrase to refer to manipulated images. in other words, photoshop is known for editing images.
titles you will read in this article:
- the complexity of photoshop
- lightroom vs. photoshop
- open images in photoshop
- OPEN RAW FILE
- storage recommendations and file format
- Introducing Photoshop Toolbox
- Global & Local Adjustment
- Layers in Photoshop (Layers)
- Layer Masks
- photoshop filters
- steps to edit images in photoshop
although there are several tools for editing images, photoshop excels in terms of features and functionality. undoubtedly photoshop is a vast and complex software with many built-in features and add-ons. photoshop tools have evolved over the past years so that the same results can be achieved with a very different tool.
if you search online how to do something in photoshop, you’ll be confused by the results. in many instances, photographers perform different techniques to reach the final output, which can be very confusing for novices.
no one can say i know zero to 100 photoshop. rather, you can be proficient in using certain tools for specific tasks. this is the correct way to learn photoshop. after learning the tools you need in photoshop, you need to practice to achieve your skills. practicing and repeating the process seems slow, but when you get used to it, you get very good results. as a result, remember that this guide does not cover all photoshop tools but is the basis for editing images, especially for novice photographers.
professional photographers rarely publish direct outputs of their cameras, so their journey begins with basic image editing tools such as lightroom. of course, when you first open lightroom software, you notice its huge difference with photoshop. in Lightroom, it’s fairly simple to understand everything and get to know this software with a little review very soon. on the other hand, when you open photoshop for the first time, you may be confused. everything you see is unfamiliar tools, tabs, and windows, so most people ask themselves this question: why should we use photoshop when we have lightroom?
photoshop is a more comprehensive software than lightroom. everything you see in Lightroom is also available in photoshop, but the entire features of lightroom are not even 10% of photoshop’s features. the difference between Lightroom and photoshop is like the difference between motorsport and driving a racing car. however, most photographers don’t care more about the possibilities.
most lightroom facilities are related to photography and it is very simple to work with. the software also has an embedded ability to edit the image. in general, if you’re looking for simple edits like adding or removing multiple points of light, adding contrast or color saturation, increasing resolution or blurring a photo, lightroom does all this for you, but if you want to take your editing skills to a new level and have a set of the best access tools, choose photoshop.
as mentioned above, there is more than one way to get things done in photoshop. the most common way to open images in photoshop is to drag the image into the photoshop window (pictured below).
After opening the image in Photoshop, you will see a tab on the top left (the red rectangle in the image below) called the image. You can open multiple image documents. At the bottom left, you can see the percentage of the crop (the orange rectangle pictured below). You can zoom in with the Ctrl plus (+) combination keys and zoom in with control and minus (-) keys. By pressing the Ctrl + 0 combination keys, the image is adjusted to fit the workspace and takes 100% croup mode with Ctrl+1. These keyboard shortcuts make it very easy for you to use Photoshop.
NEXT TO THE CROP PERCENTAGE IS THE FILE SIZE (WHITE RECTANGLE, PICTURED ABOVE). BASED ON THE TYPE OF FILE YOU ARE WORKING WITH, THE FILE SIZE WILL GRADUALLY INCREASE. FOR EXAMPLE, THE SIZE OF 24 MEGAPIXELS OF A FULL-FRAME RAW FILE WILL BE APPROXIMATELY 30 MB. IF YOU ADD LAYERS, THE SIZE OF THIS FILE CAN REACH ONE GIGABYTE. WHEN YOU CONVERT AN IMAGE TO JPEG FORMAT WITH THE SAME RESOLUTION, YOU GET AN 8-12MB FILE. FOR EACH LAYER YOU ADD TO THE PHOTOSHOP DOCUMENT, THE FILE SIZE IS MULTIPLIED BY THE ORIGINAL STATE.
In the top right corner, you’ll see the RGB histogram (green rectangle). Just below it is the Adjustment toolset (yellow rectangle). This section is also the current layer in the Layers tab in the selection mode (blue rectangle). On the left, you’ll see an eye icon that you can click on. After clicking the eye icon appears, which indicates the displayability of the corresponding layer. By clicking again on the layer, the eye icon and the corresponding layer will disappear. On the other side is the lock icon (purple rectangle) where the layer will be locked if it is activated and the settings cannot be applied to it.
Most photographers take photography in RAW format. Photoshop has a separate feature to open the RAW file. After dragging the RAW file to Photoshop, you’ll see a window titled Camera Raw. Camara is Adobe’s special tool for reading and editing RAW files. If you’re familiar with Lightroom, Camera Raw won’t be new to you.
Adobe Camera Raw (ACR) has basic features that resemble lightroom features, but if you have a new camera and don’t install the latest ACR updates, you won’t be able to open RAW files. In such cases, you have two options. The first option is to use Adobe’s RAW to DNG converter, which is available for free. After converting images to DNG format, you can also open them in older versions of Camera Raw.
IF ADOBE HASN’T PROVIDED ENOUGH SUPPORT FOR YOUR CAMERA, YOU SHOULD TRY THE SECOND OPTION, WHICH INCLUDES USING SECONDARY SOFTWARE TO CONVERT RAW FILES INTO SOMETHING READABLE FOR PHOTOSHOP-LIKE TIFF. YOU ALSO NEED MAXIMUM DATA WHILE EDITING THE IMAGE. THAT’S WHY PHOTOGRAPHERS TAKE PHOTOGRAPHS IN RAW MODE. IF THE RAW IMAGE IS CONVERTED TO JPEG, YOU WILL ONLY HAVE 8 BITS OF DATA, BUT IF YOU CHOOSE TIFF FORMAT OR FORMAT LIKE DNG, YOU CAN WORK WITH ALL THE ORIGINAL DATA.
In the Camera Raw window, you can change basic settings such as exposure, contrast, and saturation. Lens Correction or Lens Correction is another important edit you can do in Camera Raw. ACR has embedded profiles to fix lens problems such as distortion, color deviation and darkening the margin of the image. After finding the lens profile in the ACR, select the camera and lens model to apply the profile to the image.
Once completed, click Open image to open the RAW file in Photoshop with the settings applied.
After completing the editing of the images, go to File > Save As for storing the file for the first time or getting a new copy. This way you can choose the type of file you want to save. It is recommended to choose one of these two types: Photoshop with extensions *. PSD, *. PDD or TIFF with extensions *. TIF, *. TIFF). Photoshop PSD files only run in Photoshop, while TIFF is opened in most display and image editing software. The above formats occupy a lot of volumes but both retain maximum data.
You generally save two copies of the image. One is in the form of PSD or TIFF which contains all the data and the other copy as JPEG for use on the web. If you are using Photoshop CC version 2015 and above, you can save the file in JPEG format through the File > Export menu > Save for Web (legacy). A window opens. Make sure the format of choice is JPEG (red rectangle, pictured above).
Then you can specify the image quality (green rectangle, picture above) which varies from Low to Maximum based on the amount of data you want to keep in the JPEG image. The higher the image quality, the higher the file size due to the levels of waste. You can see the corresponding size of the file in the lower-left corner (purple rectangle).
After choosing quality, make sure the Convert to sRGB option is enabled. Then you can type the desired resolution (yellow rectangle). In general, the 2048 resolution on the long side of the image is enough. Make sure the link icon is enabled because it automatically adjusts the other side of the image. Then click Save… to have a JPEG copy of the edited image.
In addition to PSD, TIFF and JPEG formats, the PNG format deserves attention. The main difference between PNG and JPEG format is the ability to maintain transparency. For example, if you want to put a transparent logo on other images, the best storage format is PNG.
When you open Photoshop, you’re faced with a variety of tools. Before doing anything, it’s best to get to know the work environment. Photoshop’s applications go far beyond image editing. Go to the Window menu > Workspace > Photography. The work environment opens for you with photography tools. Now you’ll see the toolbar on the left (red rectangle, picture below).
a large portion of the tools you see on the toolbar includes a subset of different tools. by clicking the small arrow next to these tools, you can see their subset (orange rectangle, pictured below) after selecting a tool from the toolbar, the features or options available for the tool will appear at the top of the screen and just below the menu bar (yellow rectangle, pictured below).
in the above screenshot, for example, the brush tool is selected. as a result, brush size tool features such as brush size, blend mode, opacity and other features related to the pen tool are displayed above. remember that tools and pallets can be adjusted according to need. here’s a look at the most common Photoshop tools:
cropping an image is one of the first steps in image editing. you can select crop rulers by clicking the crop tool (green rectangle in the photo below). you can drag eight corners to change the size of the cut or rotate the image with a drag from all four corners. when you hoist a mouse over one of the corners, the mouse pointer becomes the resizing icon. when you move a little mouse from the image to the corners, the mouse rotation icon appears and you can rotate the image in or against the direction of the clock.
you can also change the ratio of the image during the crack. this ratio is placed between the length and height of the image. by default, photoshop retains the original image ratio. you can change the ratio of the image by selecting one of the ratios of the drop-down bar (red rectangle). you can also change that ratio directly by entering the length and width in the columns on the left side of the drop-down menu (orange rectangle). if you don’t want to use predefined ratios, you can click the clear button to give photoshop a custom ratio.
The next option during the crack is overlaid (yellow rectangle) most photographers are familiar with rules such as the one-third rule or golden ratio. There are also more complex overlays. You can choose one of the Everlys, such as the Golden Spiral, and change its direction by pressing the O key. Then you can click the tick button to ignore Photoshop pixels outside the crack.
Spot Healing Tools
sometimes the dust sits on the camera sensors. if the dust is in the form of a point with high detail, it doesn’t look like a dark stain if it’s on the clean, smooth spots of the image like a clear sky or background. sometimes you want to remove some extra objects from the image frame. in this case, a spot healing brush tool is the best option.
in the image above, the flag (red oval) is one of the additional elements of the image that the photographer cannot physically remove. in this situation, the spot healing tool does almost the same thing with less hassle.
To use this tool, click on the spot removal tool (red rectangle, picture above). Then, in the properties section, make sure the Content-Aware option is enabled. This tool is useful for 90% of cases. By right-clicking on the desired point of the image or by clicking on the size menu (purple rectangle) you can change the size and hardness features for the brush (orange rectangle)
Select Size brushes (by pixels). Then reduce or increase its hardness. The hard brush has sharp corners, while soft brushes create smooth corners in the image. After selecting the necessary options, move the mouse over the stain to remove it.
now there is no trace of the flag in the picture. in this instance, since the background is one hand, a hard brush is used. if the background was non-integrated, the soft one would have paid better. each photo is unique and requires a certain amount of softness or hardness. the soft brush is suitable for creating blurry corners and fading. as a result, you need to change the size and hardness of the brush to fit your image.
Clone Stamp Tool
The Clone Stamp tool is an advanced version of the spot healing tool. The spot healing tool automatically removes extra and unusual pixels by scanning the surrounding pixels. This tool works well if you have a simple background, but if the object is wrapped against a background, it becomes hard work.
But the clone tool allows you to sample the source and place it at the target point. You can do the sampling by clicking on the source and pressing the Alt key at the same time. Then all you have to do is drag the brush on the target point. Photoshop usually replaces target pixels with sample pixels. Most of the time the soft brush works better for the clone stamp tool.
Most properties window options in the clone tool are similar to the spot healing tool. There is only one additional option called Sample (orange rectangle, pictured below). With this option, you can select the layer you want to sample. This option is set to the current layer by default.
In the example above, you can see that the clone stamp tool copies the sample from the source and replaces it with the target. To sample while holding the Alt key, click the area you want. By moving to the target location and dragging on it, you can see that the samples are targeted.
the brush tool is one of the most useful tools in the tool palette. overall, brush tools do exactly the work of a brush in the real world. select the brush tool (red rectangle in the image below), then select the foreground color (green rectangle), and then the brush size. finally, select the opacity rate. opacity is the value of hardness currency in the spot healing tool, except that it determines the amount of brush power. the application of the brush tool goes far beyond drawing an integrated color on the image. this tool is especially useful when working with layer masks for editing images.
Dodge &Burn Tool
Dodging and Berning are two examples of techniques left with film since photography, but what exactly do Dodge and Bran mean? Simply put, Dodge makes it clear and the bern darkens. In addition, to dodge and burn, there is a submenu called Sponge. Instead of turning on or darkening pixels, the Sponge Tool changes saturation. After selecting the dodge, burn, and sponge tools in the properties menu, you can select the desired areas of your image (Highlights/Mid-tones/Shadows). Other features like brush size and opacity are similar to brush tools.
Then you can drag the brush over the desired areas. For example, if you select the burn tool and then Highlights from the Range section if you drag the brush, only the highlights will be darkened and the rest of the parts will be left intact. Similarly, if you’re using the Dodge tool and you’ve selected Shadows from the Range section, only the shadows will lighten up. When the Sponge Tool is in selection mode instead of the range menu, the Saturate/Desaturate option appears.
Global & Local Adjustment
Suppose you need to increase visual brightness. One method is to go to the Image menu > Adjustments > Brightness/Contrast. You’ll see a window with two sliders where you can increase the brightness or contrast of the photo. When you increase the brightness of the image in this way, you will see that the brightness is applied to the whole image. This setting is called global adjustment or global adjustment. Consider the previous section against the dodging method. Instead of turning on the whole image, we used brushes to clarify the selected areas of the image. In addition, we applied these settings to a specific range called Highlight, mid-tones, or shadows. The chosen method is to apply an effect on a specific local adjustment area or local object.
there is another criterion for the superiority of local edge net to global adjustment. supposing there are parts of the image that require stronger opacity and parts of the image should be normal. in this situation, the use of local agencies is recommended. in summary, the recovery of shadow details in the image is called local adjustment while trying to add light to an entire global adjustment image.
layers are one of the main reasons for choosing photoshop. you must have heard about the layers and tried to understand it. first, let’s present a summary of what we did in previous sections of this article. we selected a tool and applied it directly to the image globally or locally. but what if you did something wrong and want to go back? you can use the history tool to go backward, but unfortunately, a limited number of edits go back, not all of it, because the history tool usually acts as a temporary repository.
after closing, photoshop history will also be deleted unless you have saved it as an action. in another scenario, suppose you want to reduce or increase the intensity of the effect you applied earlier. suppose, for example, that you’ve increased overall exposure, and you’ll open the same file a few days later and want to change the settings. here are non-destructive editing options like layers.
first, you need to know the difference between the destructive and nondestructive methods of editing. supposing you chose the eraser tool to delete part of the image. when you open the image after a few days in case you don’t have a copy of the image, there is no way to restore the lost pixels. this type of editing is a malicious type.
now suppose you open the image document and then reduce its exposure and increase the contrast and saturation. instead of directly implementing all the edits on the image, it’s best to use layers that are placed on each other. as a result, the main layer of the image below and edits are done on the top layers. for example, on the top layer, you can add exposure. then you apply the contrast to the original and exposure layers. then the saturation layer is placed on top of the two. as a result, if layers are removed or added, the main layer remains unchanged.
In the image above, the main layer is opened as a background layer. In the next step, a copy of the layer is taken, which is placed on the main layer. You can copy layers by right-clicking on the layer and selecting Duplicate Layer from the open menu or using the Ctrl+J combination key. In the Duplicate Layer window, you can enter the name of the new layer. You can also copy the layer in a separate document by selecting the destination option.
the layer above all has a foreground role. the underlying layers are usually considered as backgrounds. consider the background role in photography. the foreground usually changes the whole or part of the background based on the position. that’s exactly what the foreground layer does. layers are placed on each other to hide the underlying layers.
As mentioned in the previous section, the eye icon next to the layer is used to display or hide the selected layer. By selecting the layer, it will be revealed. Here are two layers: the background layer, which is the main layer, and the layer called BrightenedLayer that sits on top of it. The layer brightness can then be changed by selecting BrightenedLayer and going to the Image menu > Adjustments > Brightness/Contrast and slider settings. While the underlying Background layer remains unchanged. If you turn off the eye icon, you can see the changes.
so far, we’ve provided basic information about the layers and their performance, so you need to learn about opacity and layer masks to better understand their performance.
see the image below. in this image, the brightness or brightness is maximized. clearly, the image light has increased too much. there are different ways to correct this image and achieve the desired results.
with the opacity slider bar, you can determine the visible percentage of the upper layer on the underlying layers. by default, opacity is 100% for all layers. for example, by reducing the opacity percentage of the upper layer to 40 percent, only 40 percent of the top layer and 60 percent of the underlying layer are displayed. photoshop does this seamlessly without making the image look artificial.
as a result, whenever you feel that you have over-applied settings, the simple way to solve this problem is to drag the opacity slider bar to reduce the displayable percentage of the upper layer. in addition to opacity, there is another option called fill. in most cases, opacity and fill perform similarly and their performance varies with specific blend modes.
in the previous section, you learned how to implement adjustment on a layer, but it seems that this method is associated with problems. you can use the opacity slider to reduce the editing effect. when working with adjustments in the previous method, you needed to erase them and reapply them or use the history tool, for example, if you increased brightness by +25, you needed to add another layer to further increase it, so editing would be placed in the malicious editing group. instead, suppose you can change the settings without changing the opacity slider. here you can use adjustment layers.
If you compare the Image > Adjustment menu settings with the Add an adjustment (green rectangle), you’ll notice the similarity of their performance. Yet the two have one major difference.
Instead of selecting the ejections from the menu, clicking the equivalence icon of the add an adjustment palette displays a new ejectment layer above the existing layer. Click the Brightness/Contrast icon (green rectangle, pictured above). You’ll see a new layer (yellow rectangle). When you do the same using the menu, a window will appear that applies brightness or brightness directly to the selected layer.
the advantage of using adjustment layers is that even after storing and closing the document, you can reopen it and double-click the layer icon to see the brightness slider value you previously changed. this type of editing is completely non-destructive.
there is a fundamental difference between the other layers and the adjustment layer. in the previous example, when you copy the main layer, the underlying layer is completely hidden. in contrast, the adjustment layer only applies the desired settings to the underlying layers.
now that you have a basic understanding of the layers, it’s time for layer masks, but what exactly is a layer mask? in the previous section, you’ll see how the foreground fits on the background, but sometimes we need to show part of the foreground (top layer) and part of the background (bottom layer).
in other words, you may want to be part of the opaque background and the other part transparent. the underlying layers can be displayed in transparent or transparent sections. layer masks, as their name suggests, are used to represent certain parts of the selected layers. one important aspect of layer masks should be remembered: white displays, hides black, and 50 percent gray equals 50 percent opaque.
With one example, you understand this better. In the image above, a exposure layer is added by clicking on the related icon (red rectangle) and in the properties section, you can increase the exposure to the size of a stop. See the green rectangle icon. This icon is the layer mask. By default, each adist layer is accompanied by a layer mask. You’ve already seen the edge layer apply changes to the underlying layer. The same goes for the mask. You can add the mask to any layer by selecting the add new layer mask icon. The layer mask is white by default. This means that the upper layer is fully visible.
In the above image, exposure is applied equally to the whole layer, while the light in some areas of the image is oversized. As a result, you can reveal some of the desired areas of the layer by creating a black mask and dragging on the mask in white. To do this, first select the layer mask and convert it to black by pressing the Ctrl+I combination keys. Now you see the mask color becomes black, which means the current layer is transparent (because it hides black). As a result, the underlying layers are visible.
now you can draw on dark areas by selecting the brush tool (red rectangle, picture below) and adjusting its diameter and softness (hardness=0). in working with masks, you need to be sure of two things. first, you need to make sure the foreground color is white (green rectangle, picture below) and secondly make sure the layer mask is in selection mode (blue rectangle, pictured below).
Also, check that the layer mask is connected to the Exposure layer. Now you can see that the dots you painted on the mask are displayed while some areas remain black. You can see the mask preview by clicking on the layer mask while pressing the Alt key.
see the stain inside the red rectangle in the image above. here, instead of using 100% black or 100% white color, the opacity of fifty-six percent is used to control the number of masks.
now let’s layer another example of applications. in the above image, the color of the sky is very bright. darkening its monolith makes it look better.
Here, the exposure edge layer called Exposure 1 is added. Here, make sure that the Object Explorer layer mask is in selection mode. Then select the gradient map tool (green rectangle) and place the mouse in the middle of the image, and then drag it down (yellow rectangle).
You can see a gradient from white in the top to black at the bottom of the mask layer. This effect is similar to the saturation neutral density filter effect. There are several ways, such as Blend-if or Luminosity masks, to select parts of the image.
in previous sections, you’ve come up with an understanding of the layers and their applications in photoshop along with layer masks. in addition to these features, we can also change the mixing or blend modes of the layers.
Take a look at the image above. The Exposure edge tool has been added to this image and its value has been reduced to the size of a stop. These settings are masked on the right side of the image, so the exposure edge layer can only be displayed on the left. In the next step, a copy of the Exposure adjustment layer was created with the same settings. This time the left side of the image was masked. Clearly, both parts look the same, but the blend mode menu of the Exposure 1 Copy layer is placed on Normal, which is normal fusion mode. While the default blend mode overlays (red rectangle).
You see the length difference of modes is impressive. Although exposure layer settings are the same, two different blend modes produce different results. Blend mode determines how the layer on the other layer is displayed. In the example above, the normal long mode only reduces the size of an exposure stop while the overlay mode adds more contrast to the image.
In the image above, similar to the previous one, the light on the left is reduced to the size of a stop, and the normal fusion mode is used for it. For the right half, the same operation was repeated, except that the fusion mode was placed on Luminosity. Even though the exposure on the left side of the image is small, you can also see a decrease in its color saturation. In the right half, the Luminosity fusion mode is selected, which only affects the exposure characteristic and leaves other specifications such as saturation intact. Photoshop has categorized blend modes by type (pictured below).
to understand all the long modes, there is a need for another article that is out of the question.
What happens when you install a filter like ND or CPL on the camera lens? Photoshop filters work the same way. By default, when you enter the Filters menu, you’ll encounter a set of filters to increase resolution, blurring the image, add, or remove noise. In addition, there are various plugins to implement filters.
note that filters are applied to the selected layer. if you select the adjustment layer, some filter menus may be disabled. as a result, make sure you have selected the layer to apply the filter. in general, it is better to make a copy of the layer and then apply the filter to it.
Adobe Camera Raw can also be applied to layers in the form of a filter.
like layers and masks, smart objects or smart objects are among photoshop’s most widely used features. you’ve already seen that filters and other parameters can be malicious if they are applied directly to a layer and can’t be changed again. smart objects, on the other hand, are the solution to this problem. when you convert a layer to a smart object, photoshop applies all the mounts and filters intelligently.
You can convert any layer to a smart object by selecting it and then right-clicking on the layer and selecting the Convert to Smart Object option. After this, the smart object icon appears on the layer (red rectangle). In the example above, two edges are created. Camera Raw filter is used in the first era. Then, the brightness of the image was changed by the Brightness/Contrast object. You can see that both changes have been applied to the layer as smart filters.
now to change the values, all you need to do is double-click the filter. just like the just layers, a window opens where the selected values are displayed. you can change these values as you wish. in fact, you can change the blend mode of a specified filter by double-clicking the icon marked in blue. the application of smart objects goes far beyond the mentioned ones that do not fit within the scope of this article.
steps to edit images in photoshop
if you are new to editing images or do not know how to use these settings, in this section we will mention the steps necessary to achieve a high-quality image. although there are hundreds of ways to edit images in photoshop, the following settings and tips can be used as a step to get started.
smooth the skyline to achieve professional photos
when the skyline is not smooth, it is easily detectable with the eye. maybe a novice doesn’t know where his job is, but there seems to be something in the picture that’s low. that’s why you need to make sure the skyline is smooth. fortunately, there is a very easy way to smooth the horizon line in photoshop:
1. Select the Crop tool.
2. Click the Straighten option at the top.
3. click on the side of your horizon and flatten the skyline by dragging.
set white balance for natural-looking visuals
White balance is used to balance the color of light and approach natural white light. When the color of the subject changes due to the existing lighting conditions, you can use white balance to save your photo. The correct way to set up white balance is to set up the camera directly. However, some photographers prefer to record RAW photos with automatic white balance settings and then change it in the final edit. In this case, you need an image editing program. Light level settings are easy to fit with the photo. For example, fluorescent white balancing settings are used in the image below in Adobe Camera Raw.
increase contrast of images
do your images look flat? one of the easiest ways to see images is to adjust contrast. contrast settings separate the dark and bright areas of the image. in other words, darker tones and light tones become brighter.
Increased contrast adds a 3D sensory to the photo. Compare the image above, for example, to the image below; One of the methods for adjusting photo contrast is using Brightness Contrast, which is marked with a red rectangle in the image below.
Adjusting exposure in Photoshop is similar to the settings in the camera. One way to adjust exposure is to apply curves to the image. The curve allows the photographer to change the exposure by separating the exposure levels of the image. These settings are marked with a red rectangle in the image below.
adjust saturation and color intensity
Saturation and vibrance sliders are used in Adobe camera raw and other parts of Photoshop to add color to images. Saturation is dedicated to adjusting the total intensity of the colors in the image. If you set up the saturation slider, you will see that the color saturation increases throughout the entire page.
in contrast, vibrance settings are a smarter tool and only apply to opaque image colors. by increasing vibrance, you can improve colors that are less saturated, but these settings do not affect colors that are saturated enough. here are two examples:
increase the resolution of images for better view on the web
photographers usually share their images online. however, when you get web output from your images in software like photoshop, you may encounter completely blurry images. unless you increase their clarity for the web. there are several ways to increase the resolution of images, one of which we will mention below.
1. change the size of your image to the size you want to display on the web. if the original image has a high resolution and you change its size, you lose your resolution image. it can be increased by increasing the resolution of the screen.
2. copy from your layer.
3. Eliminate the color saturation of the new layer by going to the Image > Adjustments > Desaturate menu.
4. change the blend mode layer to overlay. you can use soft light to achieve a less obvious effect.
5. Now select the high pass filter by going to the File > Other > High pass menu and place the radius value on 2 for a 730p resolution image (on the long side). The Overlay option allows you to see the effect of the filter on the underlying layer.
note: the larger your image, the more radius you need to apply. paint black on the point where you want to hide the effect.
6. Save the image for the web by going to the File menu > Save for Web. Also, choose Convert to sRGB.
if you’ve just started your career in professional photography, you should be familiar with image editing minimums. photoshop is one of the best known tools for editing images with comprehensive features. in this article, we tried to provide basic tips for working with photoshop to edit images. although these tips are only part of the ocean of photoshop applications and tricks, you can use them as a beacon to improve images and start editing photos.